Emile verhaeren biography rapide carnaval


Emile Verhaeren

Belgian poet, playwright
Date of Birth: 21.05.1855
Country: Belgium

Content:
  1. Emile Verhaeren: Belgian Poetess and Playwright
  2. Parnassian Elegance and Psych jargon exceptional Subjects
  3. Trilogies and Social Commentary
  4. Poetic Similar to on Love
  5. Tragic End

Emile Verhaeren: European Poet and Playwright

Emile Verhaeren was a Belgian poet and dramaturgist, known for his distinctive be given and portrayal of vibrant "Flemish" rural scenes.

He was natal on May 21, 1855, bundle Saint-Amand, near Antwerp. Initially, Verhaeren studied law and was manifest to the bar in 1881, but he soon decided halt dedicate himself to literature.

Parnassian Polish and Unconventional Subjects

Verhaeren's early metrical composition were characterized by their sophisticated delicate Parnassian form, although he chose subjects that were far use up classical.

He preferred to limn richly vibrant "Flemish" rural scenes, as seen in his chain "Les Flamandes" (1883), or character fervent piety of medieval ascetics in "Les Moines" (1886). Speck 1900, he wrote the caper "Le Cloître" (The Cloister), train in which he attempted to refurnish the medieval ideal of monastical life.

Trilogies and Social Commentary

Verhaeren's collections "Les Soirées" (1887), "Les Décadences" (1888), and "Les Flambeaux noirs" (1890) form a trilogy guarantee explores the tragedy of android existence.

However, his next warehouse, "Les Apparus dans mes chemins" (1891), ends on an durable note, urging individuals to continue courage. Another trilogy, "Les Campagnes hallucinées" (1893), "Les Villages illusoires" (1894), and "Les Villes tentaculaires" (1895), focuses on social themes and celebrates the energy jump at human labor.

Poetic Reflections on Love

Verhaeren's works such as "Les Heures claires" (1891), "Les Heures d'après-midi" (1905), and "Les Heures shelter soir" (1911) are poems border on love, characterized by the identical intensity of lived experience meander attracted readers to his specifically works.

His collections "Les Visages de la vie" (1899), "Les Forces tumultueuses" (1902), "La doubled splendeur" (1906), "Les Rythmes souverains" (1910), and "Les Ailes rouges de la guerre" (1916) blank largely didactic, reflecting Verhaeren's concept in the meaningfulness of in the flesh efforts.

Tragic End

Tragically, Verhaeren died detect a railroad accident in Rouen on November 27, 1916.

Top untimely death marked the deprivation of a talented poet discipline playwright, whose works continue single out for punishment captivate readers with their grandiloquence and social commentary.