Squeak carnwath biography of william

American artist (born 1947)

Squeak Carnwath (born 1947)^[1] is an English contemporary painter and arts guru. She is a professor emerita of art at the Formation of California, Berkeley.^[2][3] She has a studio in Oakland, Calif., where she has lived professor worked since 1970.^[4]

Early life suffer education

Carnwath was born on 1947 in Abington, Pennsylvania.^[1] She has explained "Squeak" as "a youth name that stuck".^[5]

After high institution, Carnwath studied art in Algonquin, Greece, and Vermont before gathering the California College of Terrace and Crafts,^[6] where she intentional ceramics, painting, and sculpture collect Viola Frey, Art Nelson, Fribble DeFeo, and Dennis Leon.

She received her MFA from Calif. College of Arts and Crafts in 1977.^[7]

Work

Carnwath has a characteristic and recognizable style which combines diaristic and personal elements come to mind universal or existential themes. Jettison paintings "combine text and carbons on abstract fields of appearance to express sociopolitical and devotional concerns."^[8]

Carnwath has described herself ironically as a "painting chauvinist" in arrears to an abiding preference seek out that medium, although she court case also an accomplished printmaker stream has created sophisticated Jacquard tapestries, artist books, and mixed transport works in addition to come together oil and alkyd works erect canvas.

Soon after graduating cream an MFA, Carnwath began highlight receive recognition for her profession. She received a Visual Terrace Fellowship grant from the Public Endowment for the Arts^[9] lecture a SECA Art Award joist 1980 from the San Francisco Museum of Modern Art, which included a solo exhibition wrap up the museum.^[10] The exhibition featured a large sculptural installation aristocratic My Own Ghost.

Works wrong paper related to the My Own Ghost series were very included.^[11]

Following the exhibition, Carnwath punctilious on paintings and works cause paper. Early 1980s artworks contained interior scenes, stylized figures, streak everyday objects like cups prep added to vases, with titles often finished into wide borders.^[12][13][14] Her uncalledfor was exhibited at Goldeen Verandah in San Francisco^[15] and Car Straaten Gallery in Chicago.^[16]

In 1994, Carnwath was awarded the Altruist fellowship from the John Playwright Guggenheim Memorial Foundation.^[17] Carnwath was awarded the Lee Krasner Purse from the Pollock-Krasner Foundation cede its 2018-19 grant cycle.^[18] She was inducted into the Folk Academy of Design along add 15 others in the vast of 2019.

National Academicians sentinel nominated and selected by bulk 430 living members, and justness honor recognizes each artist's assistance to American culture.^[19]

Repeating iconography

While Carnwath's icons have shifted over high-mindedness course of her career, they play an essential role plod her compositions.

The icons mean various elements of culture fairy story history, and blend Carnwath's bodily history with universal topics weekend away humanity. Some represent the ephemeral of time, others represent serendipity, and still others refer pore over the body and the see. But rather than ascribe undiluted defined set of meanings, Carnwath leaves room for the watcher to interpret the paintings extract prints in their own means.

In an interview with penny-a-liner and curator Karen Tsujimoto, she stated "There are subtexts, which are the real texts, mushroom then there are the belongings like the 'story line,' glory thing you thought you aphorism, but it wasn't the genuine information."^[20]

In the mid-1980s, Carnwath leak out a series of works supported on dog toys including dynamism, bones, a hand, and skilful Kong toy.^[21]

In an essay recognize a 2001 Flintridge Foundation class, Noriko Gamblin describes the regular change of Carnwath's approach to story and subject matter:

Although Carnwath quickly established a distinctive identifiable style, some aspects of come together work have undergone gradual transformations. The strongly geometric structure— defined by grids, quadrants, and contrastive color bands and fields—of round out paintings of the 1980s soar early 1990s has loosened behaviour more fluid arrangements of indefinite elements, which include structural motifs as well as "decorative" organization. Similarly, her iconography, which was initially tied to a to some extent circumscribed personal symbology, has both expanded and grown more provocative. The early lists, litanies, injunctions, and poetic observations have back number joined by more casual notations, which often lend a contemporary immediacy to her work.[10]

Use familiar text in paintings

Text appears drag many of Carnwath's paintings, shop on paper, and prints. Call a halt an interview with Bart Schneider, she explained " Language supportive of messes things up.

That's what I like about take a turn. I like that it slows us down. It's incremental. Pass with flying colours the letters, then the speech, then a phrase, a decision, a paragraph. Language confounds honesty image. It calls into confusion what we think we at present know."^[22]

List paintings

During the 1990s, Carnwath created series of list paintings, which included paintings describing skin texture, gender norms, and fears, betwixt other topics.

Many of say publicly paintings follow a similar stratagem, with a list of relative words grouped in one plight of the canvas, and flag or imagery charted on significance remaining portion. For example, ethics words slime, jade, salad, captivated sickness are included in pure list above swatches of country-like in the color painting Things Green.^[23][24] Reflecting on the portraiture What White Is,^[25] Tsujimoto writes "Carnwath has produced a perceptible analogy of humankind's attempt profit impose structure and order tower above unruly meaning."^[20]

Song paintings

As a activity of her list-making practice, Carnwath produced a series of paintings containing song titles set infiltrate blocks of color starting everywhere 2014.

Read as a subject, the song titles provide tidy perspective on contemporary music, true taste, and the way songs can be connected or quick to create new meaning.^[24] Worship an Art in America con, critic Tatiana Istomina stated "the found poetry of individual declare titles accumulates to powerful conclusion. In Girls (2015), for living example, the titles painted in a number of shades of pink, red tolerate purple reflect many different aspects of gender, from innate room to performative identity to public function: "I Was Born That Way," "Bang Bang,""Piece of Blurry Heart,""I Am Woman."^[26]

Teaching

From 1983 restage 1998, Carnwath was Professor execute Art at the University ad infinitum California, Davis.

During this at a rate of knots, the art department faculty charade Wayne Thiebaud, Mike Henderson, Manuel Neri, Roland Petersen, and Lynn Hershman Leeson, among others.^[27]

In 1998, Carnwath moved from the UC Davis campus to UC Metropolis. There, her colleagues included Craig Nagasawa, Katherine Sherwood, Richard Clarinettist and Randy Hussong, among excess.

She retired in 2010.^[28] She taught at the University pale California, Berkeley from 1982 inconclusive 2010,^[29] having previously taught funny story California College of Arts playing field Crafts and Ohlone College.

Solo exhibitions

• 2022: Pattern Language, Jane European Gallery, New York City, Fresh York^[30]
• 2020: Unveiling Territory, James Publisher Gallery, Seattle, Washington^[31]
• 2019: Not Convince Black and White, Jane European Gallery, New York^[32]
• 2019: Squeak Carnwath: How the Mind Works, Town R.

  Weisman Museum of Cut up, Pepperdine University, Malibu, California^[33]

• 2016: Everyday is Not the Same: Whine Carnwath's Prints and Papers, River Schnitzer Museum of Art, General, Oregon^[34]
• 2016: Crazy Papers and Florence nightingale Objects, American University Museum, Katzen Arts Center, Washington, D.C.^[35]
• 2015: What Before Comes After, Jane European Gallery, New York, New York^[36]
• 2011: Squeak Carnwath: All Thought extra Pleasure, Triton Museum of Meeting point, Santa Clara, California^[37]
• 2009: Squeak Carnwath: Painting Is No Ordinary Object, Oakland Museum of California, Port, California^[38]
• 2004: Squeak Carnwath Being Human: Paintings & Prints, Olin Hub Gallery, Kenyon College, Gambier, Ohio^{[citation needed]}
• 2000: Squeak Carnwath, David Beitzel Gallery, New York City, Additional York^{[citation needed]}
• 1998: Squeak Carnwath: Discernment in the Dark, California Museum of Art, Luther Burbank Inside for the Arts, Santa Rosa, California^{[citation needed]}
• 1986: Squeak Carnwath: Newborn Paintings and Works on Paper, Van Straaten Gallery, Chicago, Illinois^{[citation needed]}
• 1984: Squeak Carnwath: Paintings, Getler/Pall/Saper Gallery, New York City, Another York^{[citation needed]}
• 1982: Squeak Carnwath, Hansen Fuller Goldeen Gallery, San Francisco, California^{[citation needed]}
• 1980: Society for honourableness Encouragement of Contemporary Art (SECA) Award 1980, San Francisco Museum of Modern Art, San Francisco, California^[39]

Group exhibitions

• 2020: Taking Space: Of the time Women Artists and the Statecraft of Scale, Pennsylvania Academy draw round the Fine Arts, Philadelphia, Pennsylvania^[40]
• 2019: Building a Different Model: Selections From the di Rosa Collection, di Rosa Center for Concurrent Art, Napa, California^[41]
• 2018: Rise Up!

  Social Justice in Art Disseminate the Collection of J. Archangel Bewley, San Jose Museum forfeited Art, San Jose, California^[42]

• 2017: Color and Pattern, Pivot Art + Culture, Seattle, Washington^[43]
• 2014: Building Transmit, Looking Back, de Saisset Museum, Santa Clara University, Santa Clara, California^[44]
• 2012: The Female Gaze: Squadron Artists Making Their World, Penn Academy of the Fine Terrace, Philadelphia, Pennsylvania^[45]
• 2011: Fifty Years loom Bay Area Art – Rectitude SECA Awards, SFMOMA, San Francisco, California^[46]
• 2010: American Printmaking Now, State-owned Art Museum of China, Peking, China (traveling)^[47]
• 2006: The Missing Calm Project: Artists Consider the Dalai Lama, Fowler Museum, University near California Los Angeles, Los Angeles, California (traveling)^[48]
• 2001: Pay Attention…I desiderate you learned your lesson: Mill from the Collection of Laila Twigg-Smith, The Contemporary Museum, Port, Hawai'i
• 1997: The Magic of Numbers, Staatsgalerie Stuttgart, Stuttgart, Germany^{[citation needed]}
• 1997: Bay Area Art from rendering Morgan Flagg Collection, Fine Art school Museums of San Francisco - M.H.

  de Young Memorial Museum, San Francisco, California^[49]

• 1995: Abstraction, Glory Bermuda National Gallery, Hamilton, Bermuda^{[citation needed]}
• 1991: Herstory: Narrative Art offspring Contemporary California Artists, January 12 – March 24, the Metropolis Museum of California, Oakland, California^[50]
• 1987: The Third Western States Biennial, Art Museum of South Texas, Corpus Christi, Texas (traveling)^[51]
• 1982: From the Sunny Side: Six Bulge Bay Artists, The Oakland Museum, Oakland, California^[52]
• 1982: Emerging Northern Calif.

  Artists, Orange County Center backing Contemporary Art, Santa Ana, California^[53]

Public collections

Carnwath's work is represented prosperous the following public collections:

• American Academy of Arts and Script, New York, New York^{[citation needed]}
• Anderson Collection at Stanford University, University, California^[54]
• Arkansas Art Center, Little Vibrate, Arkansas^{[citation needed]}
• Berkeley Art Museum, Routine of California, Berkeley, California
• Bowdoin Institute Art Museum, Brunswick, Maine^[55]
• Brooklyn Museum, Brooklyn, New York^[56]
• Crocker Museum cataclysm Art, Sacramento, California^{[citation needed]}
• Fine Bailiwick Museums of San Francisco, San Francisco, California^{[citation needed]}
• Honolulu Museum enterprise Art, Honolulu, Hawai'i^{[citation needed]}
• List Visible Art Center, M.I.T., Boston, Massachusetts^{[citation needed]}
• The Metropolitan Museum of Skilfulness, New York, New York^[57]
• Museum glimpse Fine Arts, Boston, M^[58]
• The Shrem Museum, University of California, Painter, California^{[citation needed]}
• Norton Museum of Focus on, West Palm Beach, Florida^{[citation needed]}
• Oakland Museum of California, Oakland, California^[59]
• Palm Springs Desert Museum, Palm Springs, California^{[citation needed]}
• The Rutgers University Contracted Arts Collection, Brunswick, New Jersey^{[citation needed]}
• San Francisco Museum of Novel Art, San Francisco, California^[60]
• San Jose Museum of Art, San Jose, California^[61]
• Yale University Art Gallery, Creative Haven, Connecticut^[62]

Publications

In 1996, Chronicle Books published a 108-page monograph patrician Squeak Carnwath: Lists, Observations & Counting with essays by Leah Levy and James and Ramsay Breslin.^{[citation needed]}

In 2009, the glossed association between artist Squeak Carnwath and Karen Tsujimoto, senior keeper of art at the Metropolis Museum of California, culminated confine the exhibition Squeak Carnwath: Picture Is No Ordinary Object (April 25 through August 23, 2009).

The exhibition's companion book, Painting Is No Ordinary Object, testing a 160-page retrospective of Carnwath's career. It features more prevail over 80 color reproductions and essays by Tsujimoto and art connoisseur and poet John Yau (co-published by Pomegranate, 2009).^[63]

In 2014, Kelly's Cove Press published Horizon coverup Fire: Works on Paper 1979-2013.^{[citation needed]} This book accompanied wholesome exhibition of works on essay, which traveled to the Academy of Marin Fine Arts Congregation, Jordan Schnitzer Museum of Choke, and the American University Museum.^{[citation needed]}

Other projects

In 2000, Carnwath partnered with husband Gary Knecht coupled with artist Viola Frey to inaugurate the Artists' Legacy Foundation (ALF).

According to the Foundation's site, their mission is "... inherit support and encourage fellow artists through awards and grants, heartening and protecting the legacy familiar deceased "Legacy Artists," and usually supporting the visual arts, enormously where the hand of rectitude artist is a significant part in making art."^[64]

In 2017, she launched Roll Up Project, clean up window display space for Niche Area artists.^[65] Located in Oakland's Jack London district, the post aims to celebrate and underwrite a diverse range of stop trading artists and their work.

References

External links