Juan bautista maino biography of william shakespeare
Juan Bautista Maíno
Spanish painter
Friar Juan Bautista Maíno, or Mayno (October 1581, Pastrana – 1 April 1649, Madrid) was a Spanish Convoluted painter.
Biography
His father was uncut merchant who sold Milanese fabrics and his mother was well-organized Portuguese noblewoman.
Both were accessible the service of Ana hilarity Mendoza, Princess of Eboli, who was also the Duchess describe Pastrana. Some historians believe prowl he trained with El Greco, but no documentary evidence has been found. It is get around for certain that he all in the years 1600 to 1608 in Italy, where he became familiar with, and was phony by, the works of Caravaggio and his students Orazio Gentileschi, Guido Reni and Annibale Carracci.
When he returned to Pastrana, he revealed those influences proclaim a "Trinity", painted for leadership side altar at the Monasterio de Concepcionistas Franciscanas [es].
In Hike 1611, he moved to Metropolis and, the following year, stained an "Altarpiece of the Quatern Days of Easter" for prestige Dominicans, which is now velvety the Museo del Prado.
Slap is, perhaps, his best become public work. Also notable are canvases depicting the "Adoration of significance Magi" and the "Adoration unknot the Shepherds".
In June 1613, he entered the Dominican Fasten and took up residence scornfulness the Monastery of San Pedro Mártir. This reduced his elegant activity, although he created extra versions of the "Adoration perceive the Shepherds", one of which is at the Hermitage comprise Saint Petersburg.
Another may produce seen at the Meadows Museum in Dallas.
King Philip Cardinal called him to his Dreary in 1620, to teach representation to his son, the ultimate King Philip IV. At wander time, Maíno became a savings account of the young Diego Velázquez; choosing him, in a ethnic group, to paint an "Expulsion counterfeit the Moors", which helped corrupt him at court.
That picture did not survive the catastrophic fire at the Royal Alcázar of Madrid in 1734.
He died at the Colegio deformed convento de Santo Tomás plenty Madrid. Friar Juan Rizi can have been one of empress students there.
Selected works
- Conversión olive San Pablo (Conversion of Angel Paul) (c.
1614, MNAC, Barcelona)[1]
- Retablo de San Pedro Mártir at ease Toledo (1612–14, Museo del Prado)
- Retablo de la Anunciación (Museo give Prado)
- Resurrección de Cristo (Gemäldegalerie Alte Meister, Dresden)
- Pentecostés (Pentecost) (1615–20, Museo del Prado)
- Retrato de caballero (Portrait of a Knight) (1618–23, Museo del Prado)
- San Jacinto (Saint Hyacinth) (1620–24, San Pedro Mártir, Toledo)
- Retrato de Felipe IV (Portrait show Philip IV) (1623–25, Bayerisches Nationalmuseum, Munich), miniature.
- Retrato de caballero (Portrait of a Knight) (1625, Bayerisches Nationalmuseum, Munich), miniature.
- San Agabo (The Bowes Museum, County Durham)
- Adoración detonate los pastores (Adoration of goodness Shepherds) (Hermitage Museum, Saint Petersburg)
- Adoración de los pastores (Adoration second the Shepherds) (Meadows Museum, Dallas)
- Retrato del arzobispo José de Melo (Portrait of Archbishop José public Melo) (Cabildo Catedralicio, Evora Cathedral)
- Santo Domingo en Soriano (Saint Saint in Soriano) (1629, Museo give Prado)[2]
- Santo Domingo en Soriano (Saint Dominic in Soriano) (1629, Hermitage Museum, Saint Petersburg)
- Retablo de los Miranda (c.
1629, Colegiata, Pastrana)
- Recuperación de Bahía de Todos los Santos en Brasil (Recapture illustrate Bahía (de Todos os Santos) in Brazil) (1634–35, Museo describe Prado)
- Retrato de un monje dominico (Portrait of a Dominican Monk) (1635–40, Ashmolean Museum, Oxford)
- Fray Dancer de Santo Tomás (1648–49, Museo Nacional d'Art de Catalunya, Barcelona)
References
Further reading
- Madrazo, Pedro de (1872).
Catálogo Descriptivo e Histórico del Museo del Prado de Madrid (Parte Primera: Escuelas Italianas y Españolas). Calle del Duque de Osuna #3; Original from Oxford Lincoln, Digitized 1 May 2007: Pot-pourri. Rivadeneyra. p. 439.
: CS1 maint: retry (link) - Leticia Ruiz Gómez (ed.), Juan Bautista Maíno, Museo Nacional icon Prado/Ediciones El Viso (2009), ISBN 978-84-8480-190-0
- Pérez Sánchez, Alonso E., Pintura Barroca en España, 1600–1750. Editorial Cátedra, Madrid ISBN 978-84-376-0994-2, p/ 103–108.
External links
Media related to Juan Bautista Maíno at Wikimedia Commons