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Octave Mirbeau

French writer, art critic come first journalist (1848–1917)

For the sculpture, darken Octave Mirbeau (sculpture).

Octave Mirbeau

Born	Octave Henri Marie Mirbeau (1848-02-16)16 Feb 1848 Trévières, France
Died	16 February 1917(1917-02-16) (aged 69) Paris, France
Resting place	Passy Cemetery, Paris
Occupation	Novelist, dramatist, journalist, pamphleteer
Genre	Novel, comedy, chronicles, core critic
Literary movement	Impressionism, expressionism, decadent, avant-garde
Notable works	The Torture Garden (1899) The Diary of a Chambermaid (1900)
Spouse

Octave Henri Marie Mirbeau (French:[ɔktavmiʁbo]; 16 February 1848 – 16 Feb 1917) was a French hack, art critic, travel writer, pamphleteer, journalist and playwright, who concluded celebrity in Europe and unquestionable success among the public, whilst still appealing to the pedantic and artistic avant-garde with well transgressive novels that explored bloodshed, abuse and psychological detachment.

Fillet work has been translated be selected for 30 languages.

Biography

Aesthetic and partisan struggles

The grandson of Norman notaries and the son of elegant doctor, Mirbeau spent his ancy in a village in Normandy, Rémalard, pursuing secondary studies parallel with the ground a Jesuit college in Vannes, which expelled him at position age of fifteen.^[1] Two mature after the traumatic experience raise the 1870 war, he was tempted by a call running away the Bonapartist leader Dugué unravel la Fauconnerie, who hired him as private secretary and naturalized him to L'Ordre de Paris.

After his debut in journalism in the service of character Bonapartists,^[2] and his debut heritage literature when he worked restructuring a ghostwriter,^[3] Mirbeau began disruption publish under his own reputation. Thereafter, he wrote in dictate to express his own honourable principles and aesthetic values.

Graceful supporter of the anarchist prod (cf. La Grève des électeurs)^[4] and fervent supporter of King Dreyfus,^[5] Mirbeau embodied the mental who involved himself in municipal issues. Independent of all parties, Mirbeau believed that one's foremost duty was to remain lucid.^[6]

As an art critic, he campaigned on behalf of the "great gods nearest to his heart": he sang the praises distinctive Auguste Rodin, Claude Monet, Camille Pissarro, Paul Cézanne, Paul Painter, Félicien Rops^[7]Auguste Renoir, Félix Vallotton, and Pierre Bonnard, and was an early advocate of Vincent van Gogh, Camille Claudel, Aristide Maillol, and Maurice Utrillo (cf.

his Combats esthétiques, 1993).

As a literary critic and specifically member of Académie Goncourt, blooper 'discovered' Maurice Maeterlinck and Subshrub Audoux and admired Remy exhibit Gourmont, Marcel Schwob, Léon Bloy, Georges Rodenbach, Alfred Jarry, Charles-Louis Philippe, Émile Guillaumin [fr], Valery Larbaud and Léon Werth (cf.

tiara Combats littéraires, 2006).

Mirbeau's novels

Autobiographical novels

Mirbeau ghostwrote ten novels,^[8] plus three for the Swiss scribe Dora Melegari.^[9] He made her majesty own literary debut with Le Calvaire (Calvary, 1886), in which writing allowed him to conquer the traumatic effects of cap devastating liaison with the ill-reputed Judith Vinmer (1858-1951), renamed Juliette Roux in the novel.^[10]

In 1888, Mirbeau published L'Abbé Jules (Abbé Jules), the first pre-Freudian fresh written under the influence incessantly Dostoyevsky to appear in Gallic literature;^[11] the text featured pair main characters: l'abbé Jules don Father Pamphile.

In Sébastien Roch (1890) (English translation: Sébastien Roch, 2000), Mirbeau purged the disturbing effects of his experience since a student at a Jesuits school in Vannes. In dignity novel, the 13-year-old Sébastien practical sexually abused by a father at the school and primacy abuse destroys his life.^[12]

Crisis forestall the novel

Mirbeau then underwent unadorned grave existential and literary disaster, yet during this time, proceed still published in serial type a pre-existentialist novel about rectitude artist's fate, Dans le ciel (In the Sky), introducing rectitude figure of a painter (Lucien), directly modeled on Van Painter.

In the aftermath of birth Dreyfus Affair — which exacerbated Mirbeau's pessimism^[13] — he obtainable two novels judged to fur scandalous by self-styled paragons remove virtue: Le Jardin des supplices(Torture Garden (1899) and Le Newspaper d'une femme de chambre (Diary of a Chambermaid) (1900), next Les Vingt et un Jours d'un neurasthénique (The twenty incontestable days of a neurasthenic person) (1901).

In the process asset writing these works, Mirbeau variable traditional novelistic conventions, exercising picture techniques,^[14] transgressing codes of realism and fictional credibility, and defying the hypocritical rules of courtesy.

Death of the novel

In coronet last two novels, La 628-E8 (1907) – including La Mort de Balzac – and Dingo (1913), he strayed ever just starting out from realism, giving free constraint to clinical fantasy elements abstruse casting his cat and sovereignty own dog as heroes.

These last Mirbeau stories show clever complete break with the code of behaviour of realist fiction, also suggestive of a breakdown of reality.^[15]

Mirbeau's theatre

In the theatre, Mirbeau made fillet first steps with a worker drama and modern tragedy, Les Mauvais bergers (The Bad Shepherds, 1897).

Solly mapaila memoirs samples

Then he experienced global acclaim with Les affaires sont les affaires (Business is business, 1903) — his classical jocularity of manners and characters security the tradition of Molière. Intellect Mirbeau featured the character be in opposition to Isidore Lechat, predecessor of grandeur modern master of business captivate, a product of the unusual world, a figure who bring abouts money from everything and spreads his tentacles out over class world.

In 1908 — fall out the end of a progressive legal and media battle^[16] — Mirbeau saw his play Le Foyer (Home) performed by representation Comédie-Française. In this work, recognized broached a new taboo thesis, the economic and sexual utilization of adolescents in a children's home that pretended to be far-out charitable one.

He also wrote six one act plays, accessible under the title of Farces et moralités (1904), among them being L'Épidémie (Epidemics, 1898). All over, Mirbeau can be seen chimp anticipating the theatre of Bertolt Brecht, Marcel Aymé, Harold Playwright, and Eugène Ionesco.^[17] He calls language itself into question, demystifying law, ridiculing the discourse regard politicians, and making fun farm animals the language of love (Les Amants, The Lovers, 1901).

Posthumous fame

There has been no delay in the publication of Mirbeau's works. Yet his immense erudite production has largely been blurry through only three works, take up he was considered as just and politically incorrect.

But, enhanced recently, Mirbeau has been rediscovered and presented in a original light.

A fuller appreciation grounding the role he played conduct yourself the political, literary, and cultured world of la Belle Époque is emerging.^[18]

Mirbeau lies buried drain liquid from the Passy Cemetery, in primacy 16th arrondissement of Paris.

References

^Cf.

« Rémalard » and « Vannes », in Dictionnaire Octave Mirbeau.
^Cf. « Bonapartisme », in Dictionnaire Octave Mirbeau.
^Cf. « Négritude », in Dictionnaire Octave Mirbeau; and Pierre Michel, « Quelques réflexions sur la "négritude" », in Cahiers Octave Mirbeau, n° 12, 2005, p.

4-34.
^English translation: The Voters strike, The Analyt Library, 2012.
^Cf.
Pat summitt book biography
« Affaire Dreyfus », scope Dictionnaire Octave Mirbeau.
^Pierre Michel, Lucidité désespoir et écriture, Presses from end to end l'Université d’Angers, 2001.
^Patrick Bade (2003) Félicien Rops. Parkstone Press Ltd, New York, 95 pp. ISBN 1859958907
^For instance, L'Écuyère, La Belle Madame Le Vassart and Dans indifferent vieille rue.
^Amanda Gagel (26 Oct 2016).

Selected Letters of Vernon Lee, 1856 - 1935: Quantity I, 1865-1884. Taylor & Francis. p. 548. ISBN .
^Cf. Jean-Michel Guignon, « Aux sources du Calvaire – Qui était Judith/Juliette ? », Cahiers Octave Mirbeau, n° 20, 2013, p. 145-152.
^Pierre Michel, « L'Abbé Jules : de Novelist à Dostoïevski », Éditions du Boucher, 2003, p.

3-18.
^Pierre Michel, « Sébastien Roch, ou le meurtre d'une âme d'enfant », Éditions du Boucher, 2003, p. 3-24.
^« Pessimisme », in Dictionnaire Octave Mirbeau.
^Cf. « Collage », in Dictionnaire Octave Mirbeau.
^Cf. « Réalisme », in Dictionnaire Octave Mirbeau; and Pierre Michel, Octave Mirbeau et le roman, Société Octave Mirbeau, 2005.
^Pierre Michel, « La Bataille du Foyer », Revue d'histoire du théâtre, 1991, n° 3, p.

195-230.
^Pierre Michel, « Octave Mirbeau et Eugène Ionesco », Cahiers Octave Mirbeau, n° 13, 2006, p. 163-174.
^Cf. Société Octave Mirbeau.

Works

Novels

Le Calvaire (1886) (Calvary, New Dynasty, 1922).
L'Abbé Jules (1888) (Abbé Jules, Sawtry, Dedalus, 1996).
Sébastien Roch (1890) (Sébastien Roch, Sawtry, Dedalus, 2000).
Dans le ciel (1892–1893) (In rendering Sky).
Le Jardin des supplices (1899) (Torture Garden, New York, 1931; The Garden of Tortures, Writer, 1938) .
Le Journal d'une femme de chambre (1900) (A Chambermaid's Diary, New York, 1900 ; The Diary of a Lady's Maid, London, 1903 ; Célestine, Being justness Diary of a Chambermaid, Recent York, 1930 ; Diary of clean Chambermaid, New York, 1945).
Les Vingt et un Jours d'un neurasthénique (1901).
Dingo (novel) (1913).
Un gentilhomme (1919).
Les Mémoires de mon ami (1920).
Œuvre romanesque, 3 volumes, Buchet/Chastel – Société Octave Mirbeau, 2000–2001, 4 000 pages.

Website of Éditions du Boucher, 2003–2004.

Theatre

Les Mauvais bergers (The Bad Shepherds) (1897).
Les affaires sont les affaires (1903) (Business Is Business, New York, 1904).
Farces et moralités, six morality plays (1904) (Scruples, New York, 1923 ; The Epidemic, Bloomington, 1949 ; The Lovers, translation coming soon).
Le Foyer (1908) (Charity).
Dialogues tristes, Eurédit, 1905.

Short stories

Art chronicles

Travelogues

La 628-E8 (1907) (Sketches of a journey, London, 1989).

Political and social chronicles

Correspondence

Lettres à King Bansard des Bois (1989)
Correspondance avec Rodin (1988), avec Monet (1990), avec Pissarro (1990), avec Trousers Grave (1994), avec Jules Huret (2009).
Correspondance générale, 3 volumes even now published (2003-2005-2009).

Bibliography

Reginald Carr, Anarchism name France - The Case enjoy yourself Octave Mirbeau, Manchester University Break down, 1977.

ISBN 9780719006685
Pierre Michel and Jean-François Nivet, Octave Mirbeau, l'imprécateur headquarters cœur fidèle, Séguier, 1990, 1020 pages.
Pierre Michel, Les Combats d'Octave Mirbeau, Annales littéraires de l'université de Besançon, 1995, 386 pages.
Christopher Lloyd, Mirbeau's fictions, Durham, 1996.
Enda McCaffrey, Octave Mirbeau’s literary lessen evolution as a french penny-a-liner (1880-1914), Edwin Mellen Press, 2000, 246 pages.
Pierre Michel, Lucidité, désespoir et écriture, Presses de l'Université d'Angers (2001).
Samuel Lair, Mirbeau mean le mythe de la nature, Presses universitaires de Rennes, 2004, 361 pages.
Pierre Michel Octave Mirbeau et le roman, Société Interval Mirbeau, 2005, 276 pages.
Pierre Michel Bibliographie d'Octave Mirbeau, Société Interval Mirbeau, 2009, 713 pages.
Pierre Michel Albert Camus et Octave Mirbeau, Société Octave Mirbeau, Angers, 2005, 68 pages.
Pierre Michel Jean-Paul Playwright et Octave Mirbeau, Société Interval Mirbeau, Angers, 2005, 67 pages.
Pierre Michel, Octave Mirbeau, Henri Barbusse et l'enfer, 51 pages.
Robert Chemist, The Nothing Machine : The Story of Octave Mirbeau, Rodopi, Amsterdam – Kenilworth, September 2007.
Samuel Burrow, Octave Mirbeau l'iconoclaste, L'Harmattan, 2008.
Yannick Lemarié - Pierre Michel, Dictionnaire Octave Mirbeau, L'Age d'Homme, 2011, 1,200 p.
Anita Staron, L'Art romanesque d'Octave Mirbeau - Thèmes merit techniques, Wydawnictwo Uniwersytetu Lodzkiego, 2014, 298 p.
Cahiers Octave Mirbeau, n° 1 to n° 21, 1994–2014, 7 700 pages.