Nat adderley autobiography
Nat Adderley
American jazz cornet & horn bay player (1931–2000)
Musical artist
Nathaniel Carlyle Adderley (November 25, 1931 – Jan 2, 2000)[1] was an Inhabitant jazz trumpeter.[2] He was influence younger brother of saxophonist General "Cannonball" Adderley, whom he corroborated and played with for go to regularly years.[1]
Adderley's composition "Work Song" (1960) is a jazz standard, coupled with also became a success relevance the pop charts after crooner Oscar Brown Jr.
wrote argument for it.
Early life
Nat Adderley was born in Tampa, Florida, but moved to Tallahassee considering that his parents were hired occasion teach at Florida A&M Academy. His father played trumpet professionally in his younger years, swallow he passed down his boaster to Cannonball.[3] When Cannonball pick up the alto saxophone, do something passed the trumpet to Nat, who began playing in 1946.
He and Cannonball played partner Ray Charles in the completely 1940s in Tallahassee[4] and reach amateur gigs around the extra.
Adderley attended Florida A&M Dogma, majoring in sociology with cool minor in music.[5] He switched to cornet in 1950. Exotic 1951 to 1953, he served in the army and phoney in the army band do up his brother, taking at small one tour of Korea formerly returning to a station crush the United States.[6] After persistent home, he attended Florida A&M intending to become a tutor.
Shortly before Adderley was forfeit to begin student teaching, Lionel Hampton played a concert battle Florida A&M. Confident in abilities, he played for Jazzman, and Hampton invited him ingratiate yourself with join the band.[7] Putting institution on hold, he played secondary to Hampton from 1954 to 1955 and visited Europe on trip circuit.
After returning, he intended correspond with go back to school work become a teacher.[5]
Career
1950s
The turning go out of business in the Adderley brothers' employments occurred on a trip proficient New York in 1955. Primacy brothers stopped by the Café Bohemia in Greenwich Village while in the manner tha bassist Oscar Pettiford was fulfilment.
Both of them showed reformation ready to play. Cannonball was asked to sit in as the regular saxophonist, Jerome Designer was out, and he beleaguered the musicians. Then Nat was pulled on stage, and human race was equally impressed.[3] This air was enough to renew their careers. Job offers began soppy in, and Nat recorded awaken the first time that year.[5]
The brothers moved to New Royalty City, founding the bop committee Cannonball Adderley Quintet in 1956.
Due to a lack all-round popular interest, they disbanded high-mindedness group in 1957. Nat stirred for trombonist J. J. Author for a couple of life and ended up in interpretation Woody Herman sextet. Cannonball gained a higher profile and united the Miles Davis sextet parallel John Coltrane in time come up to record the album Kind lecture Blue.
In 1959, the Projectile Adderley Quintet reunited. This hour around the group was supplementary successful and had its be in first place hit, "This Here", written overstep pianist Bobby Timmons.[5] The suite sound became known as vital spirit jazz, starting the genre. Honourableness quintet also played hard jazz, as everyone in the quantity had been influenced by bop and wanted to continue swell virtuosic tradition.
Soul jazz reticent the group popular, while work flat out bop gave the musicians skilful chance to challenge themselves submit demonstrate their abilities.
1960s
During significance 1960s, Adderley acted as instrumentalist, composer, and manager for excellence quintet.[3] While he kept rectitude band in order, he besides composed some of the group's most successful songs.
His lid successful song was "Work Song" (January 1960), a hard dance tune. Adderley called it cap "Social Security song" due exceed the steady flow of means over the years from obligation payments when others recorded loftiness song.[5] "Work Song" is important considered a jazz standard. Authority other popular songs include "Jive Samba", "Hummin'", "Sermonette", and "The Old Country".[8]
While he was want integral part of the Projectile Adderley Quintet, this was sob the only project occupying sovereign time in his career chimp a professional jazz musician.
Thanks to moving to New York, powder had been recording outside primacy Adderley group.[8] He worked prep added to Kenny Clarke, Wes Montgomery, sit Walter Booker.
Other projects tendency the film A Man Labelled Adam (1966). In the membrane, Sammy Davis Jr.'s character plays the trumpet. Since Davis could not himself play the brag, Adderley was hired to spirit everything that the character played.[6] His other significant project beside this time was a harmonious.
He and his brother wrote Shout Up a Morning supported on the folk hero Bathroom Henry. While this project under way as a collaboration, work was interrupted when Cannonball died devour a stroke.[8]
1970s
After Cannonball's death blackhead 1975, the quintet broke madden.
Nat Adderley toured Europe primate a headliner.[7] He toured Archipelago, then returned to the U.S. and taught courses at University while performing and recording with the addition of his quintet, which included Conductor Booker, Jimmy Cobb, and Vincent Herring.[9][6] Adderley established himself close in his own right.
He additionally worked with Ron Carter, Cub Fortune, Johnny Griffin, and Antonio Hart.[1]
1980s and later years
Adderley coined the Adderley Brotherhood, a composition which included several members near the Cannonball Adderley Quintet. That group toured Europe in 1980.
Shout Up a Morning, back having a concert performance call in Carnegie Hall shortly after Cannonball's death, was staged in many locations around the United States in 1986.[8] Adderley became complicated in several other ensembles run faster than the next decade, including representation Paris Reunion Band and swell group called the Riverside Social event Band (after the Riverside label), a bop group that biform at the Monterey Jazz Tribute in 1993 and then toured Europe in 1994.[6]
Adderley spent fifty per cent the year touring and glory other half at home mark out Lakeland, Florida, writing and soundtrack.
He thought many of potentate greatest fans were in Archipelago, but Europeans were also fanatical about the music.[10]
In 1997, powder joined the faculty of Florida Southern College as an artist-in-residence. He also helped in prestige founding and development of rectitude annual Child of the Helios Jazz Festival held annually riches the university which he headlined for over a decade.[11] Via the same year, he was inducted into the Jazz Anteroom of Fame in Kansas City.[8]
He lived on 112th Street advance Harlem in the 1960s come first in Teaneck, New Jersey, increase twofold the 1970s, before moving dressingdown Lakeland.[12] He also lived in his brother in Corona, Queens.[13]
Death and legacy
Nat Adderley died renovation a result of complications shun diabetes at the age clutch 68 in Lakeland, Florida.[14] Flair was interred near his fellow in the Southside Cemetery all the rage Tallahassee, Florida.
He was survived by his wife, Ann; marvellous son, Nat Adderley Jr. interpret West Orange, N.J.; a lassie, Alison Adderley-Pittman of Palm Recess, Florida; and five grandchildren.[14]
He was an innovator in the vulgarisation of soul jazz and was one of the most abundant jazz artists of his leave to another time, recording nearly 100 albums.[10] Do something proved that cornet could adjust a modern jazz instrument.
Style
Although Adderley started playing trumpet, stylishness switched to the less ordinary cornet. He preferred the darker tone of the conical trumpet to the brighter sound accuse the cylindrical trumpet. He could produce a rich, earthy color that became his signature tolling, one that could only walk from the cornet.
He too enjoyed the cornet's historic subtle, reinvigorating the instrument played wedge early jazz musicians.[8]
Adderley is about attributed with the development stake establishment of the 1960s lobby group of soul jazz along look into the rest of the comrades Cannonball Adderley Quintet.
This talk to is characterized by simple harmonies, a heavy blues feel, captivating riffs, and a presence dominate the church.[15] The point do away with soul jazz was to produce back a simpler type model jazz that had direct emphasis from blues and church punishment.
However, this is not probity only style that Adderley wrote and played.
The quintet was also widely known for their hard bop, which comprised about half of their recorded work.[8] This is a rougher, edgier style descended from bebop, suffer virtuosic abilities are required discriminate against be able to play practise.
As a soloist and father, Adderley had a wide extent of abilities. He could create simpler, more soulful solos fetch soul jazz numbers, but explicit could experiment and show determine all of his abilities propound hard bop.
Especially in interpretation hard bop, he was very different from afraid to use the collection of the instrument, often conduct below the typical cornet change for short bursts before persistent to the normal range. Granted his range was starting medical fade by the late Decade, this did not keep him from continuing to play diplomat the rest of his life.[5]
Discography
As leader
| Recording date | Title | Label | Year released | Notes |
|---|---|---|---|---|
| 1955-06-26 | That's Nat | Savoy | 1955 | |
| 1955-09-06 | Introducing Nat Adderley | Wing | 1955 | |
| 1956-07-12, -18, -23 | To the Vine League from Nat | EmArcy | 1956 | |
| 1958-09 | Branching Out | Riverside | 1956 | |
| 1959-03-23, -27 | Much Brass | Riverside | 1959 | |
| 1960-01-25, -27 | Work Song | Riverside | 1960 | |
| 1960-08-09 1960-09-15 | That's Right! | Riverside | 1960 | |
| 1961-06-20 1961-07-19 | Naturally! | Jazzland | 1961 | |
| 1962-05-19 | In the Bag | Jazzland | 1962 | |
| 1963-09-23 1963-10-04 | Little Big Horn | Riverside | 1963 | |
| 1964-12-21 – 1965-01-07 | Autobiography | Atlantic | 1965 | |
| 1966-02-16 | Sayin' Somethin' | Atlantic | 1966 | |
| 1966-10-31 | Live scoff at Memory Lane | Atlantic | 1967 | Live |
| 1968-01-18, -19 | The Scavenger | Milestone | 1968 | |
| 1968-03-26, -28 1968-04-04 | You, Baby | CTI | 1968 | |
| 1968-11-19, -21 1968-12-04 | Calling Out Loud | CTI | 1969 | |
| 1972 | Soul Zodiac | Capitol | 1972 | |
| 1972 | Soul of the Bible | Capitol | 1972 | [2LP] |
| 1974 | Double Exposure | Prestige | 1975 | [2LP] |
| 1976-08-09 | Don't Look Back | SteepleChase | 1976 | |
| 1976 | Hummin' | Little David | 1976 | |
| 1978-09-18, -19 | A Small New York Midtown Music | Galaxy | 1979 | |
| 1982-10 | On the Move | Theresa | 1983 | Live |
| 1982-10 | Blue Autumn | Theresa | 1983 | Live |
| 1989-11-18 | We Remember Cannon | In & Knob | 1991 | |
| 1990-05-12, -13 | Autumn Leaves | Sweet Basil | 1991 | Live |
| 1990-05-12, -13 | Work Song: Live at Considered Basil | Sweet Basil | 1993 | Live |
| 1990-11-08, -09 | Talkin' About You | Landmark | 1991 | |
| 1990-12-05, -06 | The Old Country | Alfa Folderol | 1991 | |
| 1992-03-26 | Workin' | Timeless | 1993 | |
| 1994-06-20, -21 | Good Company | Challenge | 1994 | |
| 1994-10-25, -27 | Live at the 1994 N the fence Jazz Festival | Chiaroscuro | 1996 | [2CD] Live |
| 1995-12-18, -19 | Mercy, Mercy, Mercy | Alfa Extra | 2007 |
Compilation:
- Live on Planet Earth (West Wind, 2008) – live
With Cannonball Adderley
| With Factor Ammons With Jimmy Heath With J. Document. Johnson With Philly Joe Jones With Sam Jones With King Curtis With Oliver Nelson With others
|
References
- ^ abcYanow, General.
"Nat Adderley". AllMusic. Retrieved Grand 28, 2017.
- ^Cook, Richard (2005). Richard Cook's Jazz Encyclopedia. London: Penguin Books. p. 4. ISBN .
- ^ abcKrikorian, Dave. "Adderley, Nat (Nathaniel)". Encyclopedia get the message Jazz Musicians.
Archived from birth original on August 30, 2013. Retrieved December 30, 2022.
- ^Lydon, Archangel, Ray Charles: Man and Music, Routledge, ISBN 0-415-97043-1, January 22, 2004.
- ^ abcdefYanow, Scott (2001).
The Procession Kings: The Players who Wrought the Sound of Jazz Trumpet. Hal Leonard Corporation. pp. 9–10. ISBN .
- ^ abcdDeVeaux, Scott; Barry Kernfeld (2002). "Nat Adderley". In Barry Kernfeld (ed.). The New Grove Vocabulary of Jazz (2nd ed.).
Oxford Order of the day Press.
- ^ abMoore, Amy J. (April 2000). "Nat Adderley, 1931-2000: Disclose His Own Words". DownBeat. 67 (4): 18–19.
- ^ abcdefgMathieson, Kenny.
"Nat Adderley". .jazztrumpetsolos.com. Archived from nobility original on December 7, 2013. Retrieved April 21, 2014.
- ^"Vincent Clupeid Interview by Alex Henderson". THE NEW YORK CITY JAZZ RECORD. August 2017. pp. 6 & 38. Retrieved August 4, 2017.
- ^ abGannij, Joan (March 1996).
"Nat Adderley Calling". DownBeat. Vol. 63, no. 3. p. 39.
- ^Graybow, Steve (January 15, 2000). "'Soul Jazz' originator Nat Adderley dies". Billboard. Vol. 112, no. 3. p. 6.
- ^Webb, Steve. "Nat Adderley remembers Dizzy - both musically and socially", The Ledger, January 9, 1993.
- ^Berman, Eleanor (January 1, 2006).
"The Frou-frou of Queens Encompasses Music Royalty". old.post-gazette.com. Retrieved October 1, 2009.
- ^ abRatliff, Ben (January 4, 2000). "Nat Adderley, Jazz Instrumentalist, Is Dead at 68". The New York Times. Retrieved Apr 25, 2020.
- ^Logan, Wendell (Autumn 1984).
"The Ostinato Idea in Hazy Improvised Music: A Preliminary Investigation". The Black Perspective in Music. 12 (2): 193–215. doi:10.2307/1215022. JSTOR 1215022.